Which of these palaces is located in Venice. Palazzo Venezia (National Museum)
The Ca' d'Oro Palace (or Palazzo Santa Sofia) is popularly called the "Golden House". This delightful building, a striking example of secular Venetian architecture, is located in the historical district of Cannaregio, on the banks of the Gran Canal. The palace was built in the 15th century according to the design of the famous architects of Venice - Giovanni and Bartolomeo Bona.
During the construction of the palace, the most expensive materials were used - vermilion, ultramarine, multi-colored marble, cinnabar, and gold leaf was used to decorate the facade of the building. The arched vaults of the structure are decorated with exquisite marble lace patterns. Thanks to the Gothic pointed arches, magnificent loggias and balconies, the palace seems fabulous and unique.
Today Ca' d'Oro is open to visitors. Here is the Franchetti Gallery, presenting a collection of painting and sculpture from the Middle Ages: works by Vittore Carpaccio, Sansovino, Paris Bordone, Tintoretto, Francesco Guardi, Van Dyck, Luca Signorelli and other famous masters. The Golden House also has collections of frescoes, ceramics and other art objects.
Coordinates: 45.44116400,12.33463000
Doge's Palace
The Doge's Palace has been and remains the hallmark of Venice for centuries. After all, it was this building that opened up to the eyes of those who came here by sea. The rulers of Venice lived here, the Great Council, the Senate and the Supreme Court met here. From the balcony overlooking the bay from the Great Council Hall, the Doge personally greeted the guests arriving in Venice.
In the middle of the 16th century. Venice was already an almost fully formed integral urban area. By this time, the area adjacent to the Palace of the Rains and St. Mark's Cathedral was already completely in order. The disorderly development of the quarter was eliminated thanks to the efforts of the Florentine architect Jacopo Tatti. The creation of the magnificent ensemble of the Piazzetta was also completed, which, together with St. Mark's Square, is the true pearl of the center of Venice. That was the best place to build one of the most magnificent architectural structures city - the Doge's Palace, the residence of the lifelong rulers of the Venetian Republic.
The construction and decoration of the Doge's Palace lasted several centuries. Almost nothing remains of the original structure, built before 1000 on the basis of Roman walls and destroyed by fire. The building we see now was built between 1309 and 1424. The idea of the creators of the luxurious palace complex of Venice was to surprise foreign ambassadors, which is why the interior decoration of the palace was so luxurious, on which the best craftsmen of that time worked
Along the Grand Canal, you can’t help but pay attention to the wonderful facades of Venetian palaces! Your gaze will fall on beautiful buildings that conceal the secrets and mysteries of the city, as well as reminders of its former greatness. We have selected the five most beautiful, in our opinion, palaces of the beautiful city on the water.
This marvelous Gothic-style building was built right next to the waters in 1437-1452 and belonged to the Venetian Doge Francesco Foscari, a nobleman who tried to flaunt his wealth and influence. By the way, the palace was amazingly beautiful. Even the most sophisticated critics could not find any flaws in it, calling it the most successful example of Gothic in Venice.
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Francesco also believed that he was building a true family residence, which would be occupied by his heirs and their descendants for many centuries to come. However, his dream was not destined to come true: in the 19th century, the palace served as a barracks for soldiers, whose proximity had an extremely negative impact on the building. And after a long and painstaking restoration, which was completed in 2005, the Foscari Palace turned into the residence of a higher educational institution.
Palazzo Labia
Some time ago, namely in the 18th century, this stunning palace was considered the family home of the richest Labia family in the city, who invited the most talented architects of the city on the water, Alessandro Treminiona and Andrea Cominelli, to create a building project. However, soon the wealthy family, who thoroughly enjoyed social life and increased attention from the public, went bankrupt and lost the palazzo, which passed into the possession of Prince Lobkovich. But a representative of the nobility quickly sold the palace to the Israeli Koenigsber Foundation. After this, the palace was used for various purposes: it was a sawmill, a textile factory, and a clothes dryer. In the 1960s, it was acquired by the Italian television and radio company RAI, which made its office in the palace.
Palazzo Dario
Selecting the most interesting and beautiful ones from the numerous palaces of Venice is a very difficult task. However, it is simply impossible not to mention Palazzo Dario. Its facade, like many other palaces, faces the Grand Canal, showing off its unusually bright marble color to everyone.
It was built in 1487 in classical style by order of Giovanni Dario, a member of the Venetian nobility who served as Secretary of Venice. By the way, city residents call this building the “cursed palace”, due to the numerous failures and tragedies that befell the Dario family, as well as other owners and guests of the palace. The Venetians find it difficult to even count the number of inhabitants who died here due to the absurd death of the inhabitants, diligently avoiding this place.
Palazzo Dandolo
Palazzo Dandolo is widely known outside magnificent city on the water, which he has been decorating since the 1400s. This beautiful building once belonged to the Dandolo family, hence its name. But very soon, family members decided to sell the palace to another eminent family - Gritti, thereby starting a long history of sales and purchases of this place from one hand to another. It seemed that the rich and nobles who purchased the palazzo were simply not ready to pay for its maintenance, and therefore sold it to their friends and acquaintances.
This continued until the 1630s, when the palace was acquired by people who made it the most popular gambling house in the city, introducing the rule of playing in masks, so as not to feel shame in front of those present during major losses.
However, after some time, the casino had to be closed at the insistence of the authorities, and its owner had to flee. Nowadays Palazzo Dandolo houses the luxurious Hotel Danieli.
Palazzo Ducale (Doge's Palace, Palazzo Ducale)
Palazzo Ducale, also known as, is perhaps one of the “calling cards” of Venice. The permanent residence of the Doges was built back in 1424 according to the design of Filippo Calendario in the style of exquisite Italian Gothic. For many centuries, the Doge's Palace was the very heart and symbol of political life.
However, when it fell in 1797, the purpose of this majestic building has also changed. From that moment on, it served different purposes and was home to different administrative divisions. By the end of the 19th century, the palace gradually began to decline, and the city administration allocated an impressive amount of funds for its restoration and restoration.
Almost all public services who occupied premises here were moved to other buildings. All that remains is the State Committee for the Protection of Objects cultural heritage. In 1923, the Italian government, to which this architectural monument belongs, decided to open a museum inside the Doge's Palace, which is still active today.
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Palaces of Venice: history, location, exhibitions, cost of entrance tickets to the palaces of Venice.
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One can only guess what feelings the sailors experienced when they entered the Veneto Lagoon after a long and dangerous voyage and saw in front of them the lace galleries of the Doge's Palace, the seat of power and finance of the Venetian Republic. During the Renaissance, its fleet ensured the security of trade, the fate of European monarchs was decided in the huge Great Council Hall, the Venetian Doge, head of the republican administration, annually sailed from the embankment on the palace ship "Bucintoro" for betrothal to the Adriatic.
They were not shy about wealth here - they grew up on the Grand Canal beautiful palaces"new Venetians" One of them is Ca'd'Oro, that is, the Golden House, also known as Palazzo Santa Sofia. There are no traces of gold leaf, which supposedly covered the entire façade for a long time, but the Gothic-Moorish architecture surprises with its peculiar grace. The last owner, Baron Franchetti, was a connoisseur of beauty and collected under his roof a rich collection of paintings, statues and carved furniture. After the death of the patron, the building and its contents became city property.
Ca Pesaro houses a fine collection of paintings from the late 19th and early 20th centuries. The exhibition includes paintings by Bonnard, Matisse, Kandinsky, Klimt and Chagall, and statues by Rosso. The eastern department is filled with collections of Japanese and Chinese art collected by the owner of the palazzo, Count Balbi.
In the labyrinth of canals, it is worth finding the Palazzo Contarini del Bovolo in order to admire the absolutely extraordinary external spiral staircase, added to the building in the 15th century. The palace served as a backdrop for the filming of the film Othello directed by Orson Welles.
- Where to stay: for those who are heading to Venice for excursion purposes, it is good to settle directly within the old city, but it is expensive. More affordable - on the mainland, in the town of Mestre, which is 15 minutes away. For those who want to combine beach holiday with excursions the choice is much richer: this is the popular Lido di Jesolo, and its “younger brother” Bibione - one of the most prestigious resorts the north of the Adriatic, and Lignano, ideal for families with children, and its cheerful neighbor Sabbiadoro, as well as picturesque Caorle.
- What to see: Padua - the city of St. Anthony in the late Gothic style, Vicenza, where the great Renaissance architect Andrea Palladio, “Venice in miniature”, “inherited” order
On both sides of the Grand Canal, adjacent to each other, are palazzos - the dwellings of the Venetian nobility. These are mostly three- to five-story palaces of light yellow, red or blue, which seem to rise straight out of the water. The oldest buildings date back to the 12th century - it was then that the Venetians borrowed the Byzantine type of palace with open loggias and porticos.
The construction of palaces was fraught with considerable difficulties. To provide a reliable foundation for the future palazzo, the builders strengthened the marshy soil along the banks of the Grand Canal by driving oak piles into it. The construction of one palace required about a thousand piles, so Venice literally stands on stilts. By the way, the wood for the piles was also ordered from Russia. This was our northern forest, which was exported by sea.
In total, about two hundred magnificent palaces have been preserved in the city, and among them is the pearl of Venice - the Palazzo Ca d'Oro.
This elegant three-story building was built in 1440 for the noble nobleman Marino Cantarini. The marble lace of its façade was then covered with gold leaf, hence its name, which means “golden house”.
The palace has changed many owners. In 1846, Ca' d'Oro was bought by Prince Alexander Trubetskoy. But, being a romantic idiot, he gave it to the famous ballerina Maria Taglione, and she turned everything she could into it, according to her, as it turned out, not very elegant taste. Therefore, when the last owner of the Ca d'Oro, Baron Giorgio Franchetti, handed it over to the state in 1916, the palace needed a thorough restoration. Now a museum has settled in it.
Our first attempt to visit the famous palace was unsuccessful - it was still flooded and was not open full time.
Through a small window in the wall a portico with water on the marble floor was visible.
But the next day the museum worked as usual. A worker was washing salt off the floor.
The water has receded, but not completely.
Paul is just great.
There are some artifacts along the walls.
Well made of red Verona marble.
There is also a small patio just behind the cash register.
There are not many exhibits in the museum itself, but they are well selected, you can stand in front of each for half a day -
the craftsmanship is amazing. But this, it’s scary to think, is mostly from the 13th-15th centuries.
Home altar. The lower figure in the middle is placed admirably.
And we simply could not tear ourselves away from this wooden Crucifix. The realism is no worse than Mel Gibson's in The Passion of the Christ, and there is clearly more art.
The galleries on the second and third floors offer beautiful views of the Grand Canal.
There's all sorts of medieval stuff here.
This hall is very memorable,
because it turns out this is where this miracle hangs - Titian's "Venus before a Mirror" (1555).
How many times have I seen it in reproductions, but it is impossible to convey the beauty of the original. Only when you are left alone with her do you understand what Titian’s brush is.
On the opposite wall there is an excellent Van Dyck and tapestries.
The museum has a lot of other things tasty for the eyes, and at the same time the exhibition is made very thoughtfully and does not tire. You go out into the street full of strength and freshness of perception.
Palaces abound in other parts of the city.
This is the Palazzo of Senator Braggadin in Piazza San Polo.
One day he went out for a walk and suddenly the poor fellow had a stroke. Luckily for him, a smart young man was nearby, who escorted him home and soon got him back on his feet. The young doctor's name was Casanova. The grateful senator practically adopted the young man and gave him a “start in life”
And this - Palazzo Mocenigo.
In 1591, his master, the patrician Giovanni Mocenigo, invited Giordano Bruno to teach him the art of magic, promising patronage and a generous fee. But as time passed, he wrote a denunciation against his teacher. At dawn on May 22, 1592, guards knocked on this door and escorted Bruno to prison. This began a long-term trial of the famous philosopher and magician, which ended in Rome, on the Square of Flowers, with a bonfire that is still memorable.
In our democratic days, most of the palaces of Venice are such only in name. Their former owners left their ancestral nests long ago, and now they house museums, shops and expensive hotels.
