Vegetables for the royal table or about botany in the summer garden. History of the palace
Address: Summer Garden, Lit.A
Opening hours: 12.00, 14.00, 16.00
Cost: 200-400 rub.
Among the palace buildings of St. Petersburg Peter's era early 18th century Summer Palace Peter the Great occupies worthy place. Its uniqueness lies in the fact that it has survived to this day practically in the state of the original source, the same as it was under Peter. And where, if not in this palace, can you touch time? Petra, to his personality, which is expressed in the modesty of the household environment, in household items and in interiors.
The palace has been preserved in an unaltered form due to the fact that no subsequent rulers lived in it after Peter and Catherine the First. Each new empress, and there were several after Peter, built her own individual housing. The premises in the Summer Palace are especially well preserved Green office, dining room and maid of honor's quarters. The main exhibits of the museum were the surviving personal belongings of Peter the Great and his wife.
History of the palace
It must be said that Peter the Great began the development of the island part of the future St. Petersburg on the opposite side from Peter and Paul Fortress shore from the construction of the Admiralty fortress-shipyard and from the creation of a clearing road to the Novgorod tract (future Nevsky Prospekt). In parallel with these important tasks for the future of the city, Peter is developing the idea of creating a Summer Garden at the junction of the Fontanka and the Neva, envisioning creating a beautiful garden-park like the famous Versailles.
Summer Palace in Summer Garden from the time of Peter the Great (engraving)
The rather modest Summer Palace of the Emperor is also being built here. After all, being close to the park being created, it was easier for Peter to control the gardening work, and living in the gardening area in the summer and at the same time being within the city was quite practical and comfortable.
Built a two-story palace for Peter the Great D. Trezzini in the form Dutch house. Like all existing buildings of that period, the Summer Palace was built in the style Peter's Baroque. Judging by the strict appearance of the building, it is immediately clear that the palace was created not for ceremonial receptions, but for the private residence of the imperial couple. The building has clear proportions, many windows and a hipped roof. The ground floor has sunk into the ground over time, which is why the palace seems low.
The facade of the palace is decorated with allegorical images Northern War scenes, which was still ongoing at that time. On two sides the palace faces the Neva and Fontanka, and on the third it was equipped with an artificial reservoir for small galleys. Thanks to being surrounded by water, the Palace resembled a floating ship.
"Havanese" occupied a small area in front of the Palace
This palace was immediately intended for summer residence emperor, so it was not insulated enough. Peter lived here with his wife Ekaterina since 1712 annually from May to October. The fact that Peter did not build himself a new city summer residence suggests that he was quite comfortable in this small palace.
What to see in the Summer Palace
Due to purely family living, there are no state rooms for balls and receptions in the palace and there are 7 small rooms on each of the two floors. residential premises. Peter himself occupied the first floor, his wife’s chambers were on the second, warmer floor. In total, the palace had 14 rooms and 2 kitchens (cooks).
All rooms of the palace with restored interior design preserve the atmosphere of family comfort that reigned in the Summer Palace. Peter himself, his wife, and their children lived here for a long time. In these small rooms, Peter the Great conducted family conversations, was distracted from imperial affairs and felt like just the father of the family.
The entrance to the Summer Palace is located from the former “Havanese” side, and its inspection begins from the lobby of the first floor.
Ground floor rooms
Lobby The first floor is decorated with carved oak panels, which are divided by pilasters. Here are portraits of Peter's most prominent associates - Menshikov, P. Tolstoy and other figures of Peter's reforms.
A little further you can see Reception Peter, where he received visitors with written and oral complaints. Nearby there was a secretary's room and the duty officer's room. In the Reception Room there is Peter’s desk with writing instruments and pieces of office furniture.
Of greatest interest to all visitors to Peter and today’s tourists is the unique Wind device, showing the time of day, wind strength and direction. It was a very accurate navigational instrument and has a hidden connection to a weather vane mounted on the roof. By the way, this device is still in working order! Its three glass panels are set among a carved wooden figure that closely resembles the stern of a departing ship.
Located on the first floor and Punishment cell for those punished for offenses, in which the emperor himself put them under arrest, and then he himself released them.
Of undoubted interest from the rooms on the first floor are Dining room and Kitchen (cookhouse). They are located next to each other, which is quite unusual for that time. The dining room is a purely family eating area, although Peter usually invited one or two guests to dinner - he loved to chat during the feast. During the tour, visitors will learn that Peter was very fond of porridge (buckwheat and pearl barley) and other simple dishes.
Kitchen The palace is a very advanced food preparation area for that time. Here you can see a huge hood, which did not allow food odors to creep into the personal imperial chambers. The cooking area is decorated with Dutch tiles and looks very presentable.
In the Kitchen today everything is the same as it was under Peter the Great
Interestingly, there was a water supply here, as a large black granite stone tells us. sink in the corner of the Kitchen. There is also a large cutting table. Ready meals were served through a window in the door connecting the Kitchen with the Dining Room.
One of the interesting rooms on the first floor is Bedroom Petra. His bed has been preserved, but this moment it is under restoration, and exhibits are displayed in his bedchamber outerwear Tsar - Ceremonial camisole, Cloak and his favorite uniform of a Dutch sailor (in the center).
In all rooms you can see fabric wallpaper, Dutch-made tiles, and amazing furniture from the early 18th century. Once upon a time here, as in Winter Palace Peter the Great, there was a lathe, which the emperor liked to work on in his free time. Is here and The right office- this is what Peter the Great called the toilet room, which was equipped with a sewer system from the Fontanka channel.
In some palace rooms, interior details from the time of Peter the Great have miraculously survived. These include tiles Dutch tiles that line the walls of the cook's premises, picturesque lampshades artist G. Gzella, carved panel and the Green Study's stucco fireplace.
Second floor rooms
A rather steep staircase leads to the Empress's chambers, located on the second floor, which is a bit like a ship's gangway. After all, Peter wanted to see his palace as some kind of frigate!
The second floor, allocated to Catherine and her children, was divided into a dressing room, a bedroom, a nursery, a room for ladies-in-waiting, a dance hall and a throne room. Of all these small rooms, the one that stands out the most is Green office, decorated with painting inserts and stucco and gilded decorations.
In the numerous cabinets of the Green Cabinet, Peter displayed various foreign curiosities, which he brought from abroad himself, or which came to him in the form of gifts. In a way, the Green Cabinet became the predecessor of the Kunstkamera, created by Peter in the form of the first Russian natural science museum.
You can also see on the second floor Catherine's bedroom The first one, whose bed is currently under restoration. One of the interesting exhibits in the Bedroom is mirror, edged with a wooden carved decorative frame. It is believed that this frame was carved by Peter the Great himself! After all, the reformer king mastered 14 crafts and did not shy away from any kind of work.
Available on the second floor Children's room, in which the son of Peter and Catherine grew up, a very playful and nimble boy, who should eventually become the Russian emperor. Unfortunately, he was destined to live only 4 years. Eat Dance hall, in which Peter’s daughters were taught modern dancing, because Peter, who loved dance evenings, wanted his daughters to be able to dance well. There is also another kitchen room on the second floor.
As already noted, in many palace rooms, interior details from the time of Peter miraculously survived. These include Dutch tiles that line the walls of the cook's premises, picturesque lampshades by the artist G. Gsell, carved panels and a stucco fireplace in the Green Cabinet.
From the windows of the second floor you can admire the alleys of the Summer Garden and imagine that Peter himself once looked from these windows at the emerging “Russian Versailles”.
What did Peter dream about while looking through these windows? How did you imagine the future of Russia and the city he created?
Summer Palace – branch of the Russian Museum
Peter's Summer Palace is one of the oldest buildings in St. Petersburg and a unique monument Russian history and culture. It's interesting that already Alexander the First Peter's Palace was opened for public inspection. And in 1840, a partial restoration and systematization of existing historical values was carried out.
During Great Patriotic War The palace building was heavily damaged, especially the roof and window frames. Immediately after the war, repairs to the palace began, which grew into large-scale restoration. A new restoration was carried out in 2014-2018. Today the Summer Palace is a branch of the Russian Museum and is open to numerous tourists of the Northern capital on all days except Tuesday.
The Summer Palace is located in the Summer Garden, but you can visit it only as part of excursion groups that are organized at 12, 14 and 16 hours. Over time, plans are made evening excursions. The groups are small and tickets run out quickly, so if you want to visit the museum, it is better to first buy a ticket, and then, while waiting for the excursion, take a walk along the amazing alleys of the Summer Garden.
Previous photo Next photo
The Summer Palace of Peter I is considered one of the oldest buildings in St. Petersburg. The house is in a very beautiful place called Summer Garden. This park was laid out at the beginning of the 18th century, when Northern capital They were just starting to build. Peter I invited famous architects and gardeners to work on his summer residence. The Tsar dreamed of arranging a garden here in the Versailles style. Looking ahead, let's say that he succeeded and to this day the Summer Garden remains one of the favorite vacation spots for tourists and city residents.
The Summer Palace of Peter I in St. Petersburg is not distinguished by its splendor. This is a very modest building in the Baroque style, completely different from the royal mansions.
Peter chose the location for the Summer Palace between the Neva and Fontanka (in those years - Nameless Erik), exactly where the estate of the Swedish major Erich von Konow was located. It was here that a small two-story stone house designed by the architect Domenico Trezzini. True, Peter initially made the house plan on his own, and Trezzini only corrected it. It is worth noting that the Summer Palace of Peter I is not distinguished by its splendor. This is a very modest building in the Baroque style, completely different from the royal mansions. The layout of both floors is exactly the same. There are only 14 rooms, 2 kitchens and 2 internal corridors. The tsar's rooms were located on the first floor, and his wife Catherine's on the second. The owners used this house only for warm time- from May to October. That is why the Summer Palace of Peter I has thin walls and single frames in the windows. The façade of the palace is decorated with 28 bas-reliefs depicting the events of the Northern War.
On the roof of the Summer Palace of Peter I there is a copper weather vane in the form of St. George the Victorious slaying a serpent. The weather vane sets in motion the mechanism of the wind device located inside the house. A special display panel indicated the direction and strength of the wind. Peter I ordered this unusual device for that time in Dresden from the court mechanic.
Despite its outward simplicity, the Summer Palace of Peter I had everything that was required for the needs of the sovereign. In the reception room he read letters, considered complaints and sometimes received visitors. Next door there was a lathe and a lathe, at which Peter worked, a bedroom, a dressing room, a kitchen, a dining room and a large room - the assembly. A punishment cell was provided for those who were guilty. Interior decoration The palace in allegorical form glorified the victory of Russia over the Swedes in the Northern War. On the second floor there was Catherine’s bedroom, a nursery, a room for maids of honor and a separate room for dancing.
It is interesting that the Summer Palace of Peter I was equipped with a sewerage system - the very first in all of St. Petersburg. The building was washed on three sides by water, which entered the house using pumps. The flow of the Fontanka River served as the driving force for the sewerage system.
Next to the palace there is another building - the Human Quarters. Here was the famous Amber Room, a huge library and numerous collections of various things that Peter collected. For example, the anatomical collection of the Dutch scientist Ruysch was kept in the Human Chambers. In fact, this house housed a large museum: here the king brought various curiosities, mechanisms, many compasses, astronomical instruments, stones with inscriptions, household items of different nations and much, much more.
The Summer Palace served its main function as the Tsar's country residence until the mid-18th century. Then officials began to use it. For some time the palace even stood abandoned. This is what saved it from perestroika. In 1934, a historical and art museum was located here. The building was damaged during the Great Patriotic War. But a large-scale reconstruction in the mid-50s of the 20th century helped to completely restore the palace. Today the Tsar's residence is part of the Russian Museum; anyone can go inside and find out how Peter I lived.
Practical information
Summer Garden address: St. Petersburg, Kutuzov embankment, 2. The nearest metro station is Gostiny Dvor. Entrance to the garden is free, opening hours are from 10.00 to 20.00. Day off is Tuesday.
The Summer Palace of Peter the Great is one of the first stone buildings in the city. Its creation began in 1710 and lasted about four years. The layout and most of interior decoration made by Russian craftsmen of the early 18th century.
The absence of any radical redevelopment is confirmed by numerous archival documents and specialist research.
Appearance
The Summer Palace is a two-story rectangular building made of brick. The hipped roof has gutters on the sides and is crowned with a weather vane in the form of St. George the Victorious with a defeated serpent.
The main decoration of the facade is 29 bas-reliefs created using a rare hand-painting technique. They are located at a height between the first and second floors.
Above the entrance is a bas-relief depicting Minerva with war trophies. The decor of the facade is literally imbued with themes of the triumph of Russian weapons in the Northern War. The bas-reliefs depict scenes from myths, but many experts interpret them in connection with the struggle with the Swedes for access to the sea.
The building was not designed for lavish receptions. First of all, it was the place where the king lived with his family. That is why it is distinguished by such rigor and modesty of forms.
History of the construction of the Summer Palace
Almost immediately after the foundation of the Peter and Paul Fortress, the creation of the Summer Garden began. The idea belonged, of course, to Peter himself. On his orders, rare tree species were brought from all over the country, statues were ordered, and the first fountains were built. The site chosen for the garden was the territory that once belonged to a Swedish dignitary. At first, Peter even lived in his wooden house, calling this building his Summer Palace.
With the start of construction of the Summer Garden, the need arose to build a proper residence for the Tsar. It is the erected palace that will then give the name to the entire garden. Until this moment, it bore the proud name “royal garden.”
Peter moved into a new residence in 1712. Its decoration was not yet completed, but this did not stop the king. There were no bas-reliefs, plastering work continued, and floors were laid. The architect Andreas Schlüter, who came specially from Berlin to complete the construction, practically lived in the palace with Peter.
Peter's times. Interior
Every year from May to October, Peter lived and worked in the Summer Palace. The house was built in the Dutch style. Peter personally drew up the project, which was then only corrected by Domenico Trezzini.
It was in the Summer Palace that the first sewerage system appeared. Thanks to the pumps, water was supplied to the house and then went back to the Fontanka. The building was washed on three sides by water, which contributed to the high-quality operation of flowing sewerage.
In the first half of the 18th century, it was possible to approach the main entrance by boat. A small harbor with a pier was built here. In 1705 it was deepened and the walls were lined with stone slabs. But towards the end of the 18th century, the harbor had to be filled in.
There are only seven rooms on each floor. Large halls in the palace were simply not provided for. All rooms are connected by internal corridors. The service rooms also communicate with the corridors, so servants did not appear in the state rooms without permission.
Below was Peter himself; on the second floor were the chambers of his wife and children. On the ground floor there was a reception room in which the king received complaints and requests.
The interior decoration of the palace deserves special attention. Oak was widely used, which had previously been used only for the needs of the fleet. The wood from which important structural parts of the ship were made served as the basis for the creation of incredibly beautiful stairs, doors and wall panels. The only exceptions were two offices - the Green one on the second floor and the personal one of the emperor himself on the first floor. The doors and wall panels here are made of walnut.
By the way, there were no utility rooms, except for cooks, in the Summer Palace. To accommodate them, another building was specially built - the People's Quarters. The two buildings were connected by a special gallery.
IN personal account Peter there was a unique mechanism - a navigation device that allows you to determine the direction and strength of the wind. The Tsar personally ordered it, and the best German craftsmen were engaged in its manufacture. Next to the office was Peter's bedroom and dining room. Interestingly, even the toilet with part of the sewage system has been preserved.
But one of the emperor’s favorite rooms was the Turning Room. Peter knew more than a dozen crafts and was quite a skilled craftsman. But in this room he not only worked on various machines, but also received dignitaries and made decisions of national importance. In the modern museum you can see products carved directly by Peter the Great from bone and wood.
After the death of the emperor. Palace as a museum
Only in 1725 the palace was empty. The first emperor and great reformer died. After this all-Russian tragedy, the Summer Palace did not survive better times. Under Catherine I, who reigned briefly after the death of her husband, the Supreme Privy Council met here - a body that actually took over all the functions of the highest power.
Then, for some time, the palace then turned into a summer residence in which courtiers and dignitaries lived. Under Alexander I, the public began to be allowed here. A detailed inventory of the art treasures located in the building is being compiled.
Share
Peter I
The Summer Garden is the oldest garden in St. Petersburg.
Already in the spring of 1704, Peter I wrote to boyar Streshnev with instructions to send flowers to St. Petersburg for his estate.
He built it on the banks of the Neva, on the site of the estate of the Swedish major Konau, overgrown with spruce trees.
Peter himself drew a plan for the future park. At first it was planted only with annual flowers, that is, “letnik”. That's why they called it Summer.
The garden originally occupied about a quarter of its current area.
Le tny garden in 1717
Probably already in 1704, a wooden manor house was built for Peter I on the banks of the Neva - the future Summer Palace . Its construction was entrusted to Ivan Matveevich Ugryumov. He planted flower beds here, and in 1706 he began to install fountains in the Summer Garden (the first in Russia).
A. Benoit. Peter 1 on a walk
18 August 1710 architect Domenico Trezzini began construction of the stone Summer Palace.
The Havanese was dug out on its southern side, and the water came close to the walls. That is, the building was washed on three sides by water, and it was possible to enter it only from a boat.
Behind the servants' house there was a water cocking tower, the roof of which was crowned with a gilded two-headed eagle.
In 1714, on the same line with the Summer Palace, the architect G. I. Mattarnovi erected three open galleries (“lustgauses”). We rested here in bad weather.
A. Benoit. Summer Garden under Peter the Great. Postcard
In the middle of the galleries there was a marble statue of the goddess Venus. This sculpture was given to Peter I by Pope Clement XI. By order of the king, Venus was guarded by a sentry so that no one would harm her. Venus became the first public image of a naked female body in Russia.
Venus in the Summer Garden
The galleries, like the Summer Palace, stood on the very banks of the Neva. The shore was fortified with piles. Later it was moved deeper into the river.
In 1711-1716, to drain the territory, the Swan Canal was dug, separating the Summer Garden from the Amusement Meadow (now the Field of Mars). Approximately in the middle of the Summer Garden from the Lebyazhy Canal to the Fontanka in 1716, another canal was dug. The territory to the north of it became the First, to the south - the Second Summer Garden. At the same time, the Moika and Fontanka rivers were connected. Since then, the Summer Garden has been located on the island. The territory south of the Moika, including the modern Mikhailovsky Garden .
In the northwestern corner of the Summer Garden, close to the Neva and the Swan Canal, there was a one-story wooden Second Summer Palace. Behind it, along the ditch, there was a bathhouse. In the Third Summer Garden, on the banks of the Moika, Catherine’s wooden Summer Palace and the houses of her servants were built.
In 1718, according to the design of J.B. Leblon, an Aviary was built not far from the Summer Palace. Not only birds lived here (black storks, eagles, cranes, swans, pigeons, pelicans), but also rare animals (porcupine, blue fox). Near the Poultry House, where the monument to Krylov is now located, the Dolphin Cascade was built. This was the name of a fountain decorated with vases in the shape of dolphins.
Summer Palace of Peter I
In the first half of the 18th century, regular parks were in fashion, and it was on this principle that the Summer Garden was organized. Straight alleys were laid across its territory. Trees and bushes were carefully trimmed into the shape of a cube, ball or pyramid. The garden work was supervised by the Dutchman Jan Roosen.
A pond was dug in the southern part of the Summer Garden, where different breeds of fish began to be bred. Most often, carps were released here, which is why the pond began to be called Karpiev. In addition to fish, a tame seal also lived here for some time. An Oval pond was dug on the territory of the 1st Summer Garden.
On the territory of the 2nd Summer Garden, the architect M. G. Zemtsov built a Labyrinth - a complex system of paths surrounded by walls of bushes. The paths to the Labyrinth were laid along bridges. There were joker fountains installed here, under the jets of which visitors to the Summer Garden often fell.
About the appearance of moralizing fountain sculptures in the Summer Garden in 1735, Jakob Stehlin wrote this:
The Swedish gardener Schroeder, while decorating the beautiful garden at the Summer Palace, by the way, made two curtains or small parks, surrounded by high trellises, with seating.
The Emperor often came to look at his work and, having seen these parks, immediately decided to do something instructive in this place of entertainment.
He ordered the gardener to be called and told him: “I am very pleased with your work and the handsome decorations. However, do not be angry that I will order you to redo the side curtains. I would like people who walk here in the garden to find something instructive in it. How can we do this? “I don’t know how to do this otherwise,” answered the gardener, “unless your Majesty orders the books to be placed in places, covering them from the rain, so that those walking and sitting down can read them.”
More than six dozen fountains decorated with sculptural characters from Aesop’s fables were placed in the Summer Garden. At the entrance there was a sculpture of the fabulist himself. Each fountain had a sign explaining the content of the fable.
Initially, the water-lifting mechanism that supplied the fountains was horse-drawn. In 1718, it was replaced by the first steam engine in Russia, designed by the French engineer Desaguliers. Water for this machine was taken from Nameless Erik, which has since become known as Fontanka.
View of the Fontanka River from the Grotto and the Reserve Palace
In 1721, according to the design of A. Schlüter and G. Mattarnovi, a Grotto was built on the banks of the Fontanka - a garden pavilion with columns and a high dome. This pavilion was divided into three rooms, each of which contained a fountain. Organ music sounded as they worked. The organ was powered by jets of fountains. After the death of Peter I, the nude Venus was moved here from the Gallery. Later she found herself in Tauride Palace, and is now exhibited in the Hermitage.
Stone greenhouses were built on the border of the 1st and 2nd Summer Gardens. Southern plants were grown here, including tropical milkweed, oranges, lemons, tulips and cedars of Lebanon. In summer, these plants were displayed along the garden alleys.
According to the plan of Peter I, the Summer Garden was to be decorated with allegorical sculptures. All sculptures were selected on four themes: the nature of the universe (1), collisions from Ovid’s Metamorphoses (2), the ideal model Earthly world(3) and its real embodiment (4). To implement this plan, special agents were sent to Italy: P. Beklemishev, Y. Kologrivov and S. Raguzinsky. They purchased both antique sculptures and works of the late 17th - early 18th centuries. Many sculptures were made to order. By 1725, more than a hundred busts and statues were installed in the Summer Garden; by 1736 there were already more than two hundred.
Since 1721, when the main landscaping work was completed, the Summer Garden became the royal residence.
Peter I often held holidays in the Summer Garden; here he held the famous Peter the Great assemblies. The expressions “penalty” and “drink to the bottom”, widely known in Russia, began precisely at these assemblies. It was then that the latecomer began to be given a “penalty” cup of wine, which he had to drink “to the bottom.”
Peter's Assembly
City residents were notified of the start of the next holiday by cannon shots from the bastions. Peter and Paul Fortress. Guests arrived at the Summer Garden along the Neva and disembarked from boats onto a wooden pier. Behind the pier there was an alley and two platforms. Dances were held on the Ladies' Square, and on Shkiperskaya there were tables with chess, checkers, tobacco and wine.
Under Empress Anna Ioannovna, bear, wolf and boar baiting was organized in the Summer Garden. Animals scampered around the garden, breaking sculptures and trampling plants. At the end of the “fun,” the animal corpses were given to the St. Petersburg meat aisles.
A.Benoit. Empress Anna Ioannovna chases a deer on horseback
IN AND. Surikov. Empress Anna Ioannovna in the Peterhof Temple
It was under Anna Ioannovna that the tradition of hiding winter time sculptures in wooden boxes.
From the middle of the 18th century, the Summer Garden became a place for a select public to walk. Since May 1756, by decree of Empress Elizabeth Petrovna, decently dressed visitors were allowed to walk here on Thursdays and Sundays.
Under Catherine II, days for walking became more frequent.
Since May 1773, pupils of the Smolny Institute began to walk in the Summer Garden; they were taken outside for the first time educational institution. The newspaper “St. Petersburg Vedomosti” then noted that the girls were accompanied by “a crowd of gawking revelers” who had conversations with the girls about “various matters” and noted their “noble lack of shyness.”
Levitsky D.G. Portraits of Smolyanok.
In the 1760s, according to the design of Yu. M. Felten, the Palace Embankment. On the side of the roadway, in 1771-1784, a fence was built near the Summer Garden (designed by Yu. M. Felten and P. E. Egorov), which became one of the symbols of St. Petersburg.
36 wild posts were used for the fence sea stone"mined in Finland. Pillars turned into columnsThey were stonemasons from the village of Putilov, Shlisselburg district, and the lattice was made by Tula craftsmen.
There is a legend that tells about an Englishman. He was very rich, heard a lot about St. Petersburg, and one day in his declining years he decided to visit it. On one of the white nights, his yacht sailed to St. Petersburg and stopped at the Summer Garden. Having looked at the fence, the Englishman decided not to go ashore at all, since, according to him, he could not see anything more beautiful anyway. After some time, the yacht took the opposite course.
19.07.2013Which was laid in the early years of the city's founding by a large group of architects and gardeners. Peter I dreamed of creating a garden in the Versailles style. At first, he rested in his house and monitored the progress of work, and then lived here with his family in the summer.
Opening hours of the Summer Palace of Peter I in 2020
- The museum is open only in summer (from May 1 to September 30). Summer in mind large quantity Those wishing to purchase tickets can only purchase them during the first hour of the box office's opening. The ticket office is open from 10:00 every day except Thursday and Tuesday. Thursdays from 13:00. Tickets are sold daily for the current day only.
- Visiting is only possible as part of a group. Tickets are sold at the palace box office.
- On Mondays, Wednesdays and Fridays there are sessions at 12:00, 14:00, 16:00, 18:00 and 19:00.
- On Thursdays, sessions are at 14:00, 16:00, 18:00 and 20:00.
- On Saturdays and Sundays, sessions are at 12:00, 13:00, 14:00, 15:00, 16:00, 17:00, 18:00 and 19:00.
- Show times for individual visitors are indicated.
Cost of tickets to the Summer Palace of Peter I in 2020.
- Full ticket – 500 rubles
- For students and pensioners – 250 rubles
- For children (under 16 years old) - free
How to get there
On the second floor of the building, in addition to the kitchen, dressing room and room for ladies-in-waiting, there is a throne room, bedroom and children's room, as well as a dance room. Particularly attractive is the Green Cabinet, decorated with picturesque inserts, modeling and gilding.
